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Friday, December 23, 2005









Quentin Tarantino Presents

HOSTEL

Written and Directed by Eli Roth
Starring Jay Hernandez and Derek Richardson


Well, Eli Roth of Cabin Fever fame has certainly been touting this one as the second coming of the splatter film genre, leaning heavily on the torture angle. I can safely say it ain't all that. But it ain't all that bad either. The story centers around two Americans enjoying themselves abroad...well, a couple broads actually, while travelling through Europe. Strange things begin to happen when they find themselves at one particular Hostel where the availability of hot chicks ready to party seems just a little too good to be true. And it is...but I won't tell you why...just know that there are boltcutters involved. Now, the version I saw still may be cut down, but frankly I am not totally sure which scenes these "audiences" were so shocked about.

Supposedly a man attending my screening had to get up and walk out to the bathroom where he stayed in a chair near the toilet in case he threw up. What a puss. I am a seasoned horror fan from the early days, coming up with some of the originals like Friday 13th, Texas Chainsaw Massacre--and frankly I wasn't all that shocked. But it is more of a return to that style than the recent crop of watered-down wannabes like House of Wax or Even Saw for that matter. Roth shared, during the Q&A session afterward, that he had an alternate ending in mind. Now let me tell you, this ending truly would have been ballsey and edgy, and I frankly would have liked it better. You can hear all about it if you download the podcast that Creative Screenwriting will be making available when the movie is released.

Roth seems quite taken with himself, but he was entertaining nonetheless. He does truly love the genre and I say more power to him, and hats off to the man for bringing back true gratuitous nudity to the horror film. As a writer, he does at least try to start off slowly, setting up the story with patience, letting us get to know the characters for a while, problem for me was the writing, and acting for that matter, just wasn't all that good, so the characters ranged from uninteresting to annoying. I remember thinking, "Man I can't wait to see this jackass get killed." Only to come to the horrifying realization that he was the hero. So there was not much tension for me, but if you are looking for some good effects and some cleverly bloody predicaments, then this one might give you your ten bucks worth...but, trust me, that alternate ending...hmm...

Wednesday, December 21, 2005


Ron Howard's Cinderella Man now on DVD.

Starring Russell Crowe and Rene Zellweger
Written by Cliff Hollingsworth and Akiva Goldsman
Directed by Ron Howard



I missed Cinderella Man when it hit theaters, as did most folks at the time. I'm not sure what it is about this film that doesn't quite jump out at audiences--it certainly was well produced, well acted, so what gives? Don't look to me for answers, I'm just a reviewer...all right I do have a theory, but give me a second. Universal's release of the DVD of Cinderella Man is pretty "by the book." The picture and sound quality is, as to be expected, excellent, and the DVD features quite a few extras which include deleted scenes and some featurettes about the making of the film. Boxing enthusiasts will enjoy a short segment on legendary trainer Angelo Dundee, who has a small role in the film and also served as a technical advisor. I've always had a soft spot for him so that was nice to see. Now on to the film itself.
Cinderella Man is a competent film that follows the not-too-well-known but quite extraordinary story of Jim Braddock, a depression era boxer whose astonishing comeback captured the imagination of a nation that was greatly in need of a hero at the time. The hard-working fighter lost everything during the depression, and had to take advantage of government assistance programs in between stints working on the docks and battling injuries sustained while fighting for pennies--until fate handed him a chance to prove himself. He became the Sea Biscuit of the Boxing world and the story truly was captivating. Crowe and Zellweger as Braddock and the Mrs. handle their parts well and Ron Howard pilots the ship into the dock without much trouble. Yet, that being said, the film never really catches fire. The fight sequences, despite Crowe's obvious serious and hard training and mastery of Braddock's style of brawling, were sometimes lazily photographed. There are good moments, enough to make me recommend the film for a nice evening at home, but you'll probably find yourself more interested in looking up the actual facts of the real Jim Braddock than talking about the merits of the film itself.
I tend to think that this type of "forgotten underdog" film does not lend itself to big stars and fully orchestrated music with the typical Hollywood moments that telegraph its punches like a tired south paw. This is the type of film you'd like to see an unknown or b-actor rise above themselves and turn in a great, subtle performance. It should have been as scrappy as its subject, but the treatment was just too grand to do it justice in a way. There, I said I had a theory, and there it is. Could you imagine if Rocky had starred Paul Newman, been directed by Francis Ford Coppola with music by John Williams...it really just wouldn't be the same. Still, the film is a good recounting of the story of Jim Braddock, who deserves to be remembered, so I'd recommend at least a rental on this one.