Thursday, April 22, 2010
Sorry for the redundant phrase "Mentally Ill Muslim Extremists" but I wanted to underscore their mental illness so everyone remembers that they are mentally ill. But apparently the latest episode of Southpark has gotten our national treasures Trey Parker and Matt Stone in hot water -- or maybe boiling oil -- with their latest episode that depicts Mohammed clad in a cuddly bear suit. It was a fantastic episode rife with social commentary as usual. But Mil Peliculas would like to make a prediction right here and now about how Matt and Trey will get out of this one. This episode is a two-parter and I think what will happen is that there will be a reveal that Mohammed was NOT the one in the bear suit after all and that one of the other characters had to step in because perhaps Mohammed was late, or had a cold or was stuck in traffic or something. I'll be waiting and watching.....
Posted by DW Smith at Thursday, April 22, 2010
Thursday, January 28, 2010
I just heard that J.D. Salinger has passed away. Most famous for his truly great novel The Catcher in the Rye. And thus begins the onslaught of offers from the studios who've been dying to ruin it by bringing it to the big screen.
My bet is the surviving family members can't wait to pimp this one out.
Lovely....Catcher in the Rye - starring Zack Efron...directed by Brett Ratner.
May God help us all.....
Posted by DW Smith at Thursday, January 28, 2010
Saturday, May 30, 2009
Was he Secret Service? Was he FBI? Was he CIA? To be honest, I can't really remember, but he could snap your clavicle before you could say, "is that accent Irish or Scottish?" Liam Neeson plays Bryan Mills, a highly skilled, but now retired, "Preventer" as he refers to himself, in the fun-tastic action revenge flick Taken, recently released on Blu-Ray. Okay so it's a fairly well-worn plot: the good guy retires from his dangerous, highly skilled job, wants to spend more time with his daughter, strained relationship with the bitter and snotty ex-wife (Famke Janssen) who has a rich husband that spoils the daughter with gifts that Mills cannot ever hope to afford -- daughter gets into big life-or-death trouble, and it's daddy to the rescue.
Well worn indeed, but in this case it feels more like that fleece wrap that's been sitting on your couch for a couple years, the one that keeps getting softer every time you wash it. And it's not Jean-Claude Van damme, Steven Seagal or Chuck Norris this time, it's a real actor, Liam Neeson for crap's sake. And he's good, Neeson's Mills is a deeply sympathetic character who really loves his daughter and can't quite connect with her, and it's just that vulnerability that makes us stay with this guy and want to see him succeed.
Mills' daughter Kim is 17 and she wants to go to Europe for a long trip with a 19-year-old girlfriend. Her clueless mother, Lenore, thinks it's a great idea but Bryan has reservations. He knows the girls will only get into trouble, but he reluctantly signs the permission slip she needs to leave the country without her parents. Well, sure as shinola, soon as they get to France they get spotted by some Albanian scumbags who kidnap women to sell into slavery...not like working in a field, like SEX slaves, okay. So they nab the girls, but not before Kim is able to make a phone call to her pop, and describe her attackers in as much detail as she can. Now the only hope Kim has is her father -- and you better believe he's going to find her, and fill a lot of body bags in the process.
Taken is a good old-fashioned bad-guys-getting-their-butts-handed-to-them kinda flick. Neeson even resorts to torture, but it's the good kind of torture where a guilty murderous dirtbag gets painfully electrocuted, none of this pouring water over his face crap, this is the real deal, baby! And it's effective. Very effective.
The Blu-Ray's sharpness and sound quality adds an extra dimension to the glorious brutality, from the snapping ligaments and tortured moans of the villains, to the mouth-watering Parisian street scenes, this is definitely the way to watch it. I watched the unrated version, which I generally prefer, the theatrical version is also included on this disc. There's the usual Dolby Digital and DTS Sound -- English, Spanish, and French subtitles -- audio commentary -- and there's also a digital copy for your Mac or PC. I popped in the extra DVD and opened up iTunes, it asks for the code on the back of the insert, you type it in and, voila, the digital copy downloads right to your computer. It only takes up 1.23 GB and the quality is quite good, and you can pop that onto your Ipod if you want. So, nice job on this release from 20th Century Fox. Well done.
Posted by DW Smith at Saturday, May 30, 2009
Tuesday, May 12, 2009
George Tillman, Jr's eschatological hip-hop odyssey “Notorious” is a chilling look at the very short rise and fall of the talented and rotund rapper Biggie Smalls. He was a shy, fat kid – and Christopher Wallace's single mother tried to keep him in school, out of the drug trade, out of the gangs, but the streets and lure of easy money were too strong for the smart and ambitious youngster. Luckily he had a talent, he could rap, and he had an angle -- a big man from the streets of Brooklyn whose raw rhymes could even up the score between the East Coast and West Coast rap rivalry. It was a war that ultimately would claim the lives of The Notorious B.I.G. and Tupac Shakur, two of the biggest names at the time.
Being a 42-year-old white guy, I'm not much of a rap fan, but I ain't no hater either. So while my expectations were low coming into this one, I found it quite watchable, perhaps because of my lack of knowledge about the deadly goings-on between the nouveau riche dumb asses who got used to selling drugs and women, using drugs and women, and shooting at each other in their old hoods, and then kept up the tradition once they hit it big. Well, old habits die hard I guess. It was just plain fascinating. Newcomer Jamal Woolard plays the teenage and adult Biggie, and brings to the role an innocence that certainly underscores the seriousness of the situation that unfolds and escalates around him. Another interesting casting move -- Biggie's real-life son, Christopher Jordan Wallace, plays the “little” Biggie, and the kid does a nice job as well.
As fascinating as the characters are in the film, the dialog is a bit listless and it never quite jumps off the screen, but it does manage to sufficiently tell the story, and there's more than enough Biggie tunes to satisfy the ears. Biggie fans will no doubt enjoy some of the hip-hop history involving Biggie's relationships with Faith Evans and Lil' Kim, as well as Sean Puffy Combs and others. As always, I recommend going with the Blu-Ray version of this one. If you've never been to New York or L.A., then the blazingly sharp night sequences really capture their flavor. Extra goodies include the theatrical and director's cuts, audio commentaries from the writers and the director, featurettes chronicling the production, and DTS surround sound. Oh, there's also some nice 1080p Hi-Def nudity sprinkled in, if only there were some way to pixel out the naked Biggie underneath Lil' Kim? Well, I guess that feature has yet to be added to the Blu-Ray toolbox. And with those sequences in mind, if you decide to send Grandma a copy of “Notorious” you may want to make sure it's the Cary Grant version.
Posted by DW Smith at Tuesday, May 12, 2009
Thursday, April 02, 2009
The fourth film from director Baz Luhrman is one of those "sweeping epics" set in, oddly enough, Australia, during World War II. The aptly titled "Australia" gives us a new perspective on the far-reaching effects of the second great war, this time from Down Under, a view that I appreciated, since not many films have tackled that period from that angle.
Nicole Kidman plays Lady Sarah Ashley, an aristocrat from England, who comes to the faraway and mysterious continent and finds herself in charge of her recently murdered husband's ranch. A cattle war is brewing, and King Carney (Bryan Brown) is the dastardly competitor who will stop at nothing in his attempt to monopolize the cattle trade and gain the contracts that will feed the troops as they fight the Nazis. Things get more complicated when she meets The Drover, the dashing, rough and tumble outback cowboy and cattle driver played by Hugh Jackman. Drover's intention is strictly business as he helps Lady Ashley move her cattle to Darwin to be sold, but a romance soon develops. A second complication arises as Sarah grows more attached to the recently orphaned aboriginal half-breed, Nullah, well played by a very striking and magical-looking kid named Brandon Walters. Nullah is in hiding because, at that time, it was common for aboriginal children to be taken from their "savage" environment and assimilated into the more "civilized" white culture. The three protagonists are bonded during their adventures and must battle Carney's blood thirsty henchman, Fletcher (David Wenham), as well as the Japanese air force, which leveled the city of Darwin during a bombing raid.
As I said, it's Lurhman's fourth film, and while I have not seen his first effort, "Strictly Ballroom," I have seen the last three and have enjoyed them all. As with those last three pictures, "Australia" pops right out of the gate with an all-out frontal assault on the senses, utilizing narrative, narration, and a carpet-bombing of expository information and jarring tonal shifts from dour and serious, to playful slapstick. If you stay frosty, you can follow it well enough. Just make sure you aren't popping the popcorn and watching from the kitchen for the first ten minutes. I'm not sure if the film settles down after a while, or if the viewer becomes inured to it. I found that with Moulin Rouge as well. It's become a signature of Lurhman's films.
Watching this one on Blu-ray is the only way to go. The golden browns and burnt oranges of the countryside (assisted by Mandy Walker's outstanding cinematography) are gorgeous, there's also a scene at a big dance where beautifully colored lanterns float above the party-goers. A very nice image. And the sub-woofer-melting "bombing of Darwin" sequence stayed with me as well. And, hey, I'm a breeder, but that shot of Hugh Jackman dumping water all over himself for a quick desert bath is burned-in too. I guess the sequence where Drover stops off at the local Outback Crunch Gym to work out with his personal trainer for a few hours probably ended up in the Avid trash bin, no worries.
The Blu-ray has a pretty swanky menu system. I found some of the button responses rather slow but it could be my Philips player, hopefully your results will be different. I find that with a lot of Blu-rays. I suppose that will work itself out as the technology improves. The disc includes many extras but I found the featurette about the history of that period in Australia to be particularly useful in keeping the story in context. Lurhman, who also wrote the film, did a lot of research and tried to keep the story as grounded in reality as possible. I found the film pretty satisfying and Lurhman keeps the main story small enough to matter and it doesn't get swallowed up by its gigantic backdrop.
One of the themes running through the film is that all one really has in life is "their story." The Drover is just "trying to live a good one" and Nullah's grandfather, the aboriginal shaman tells him that "telling a good story is the most important thing in the world," so a movie that sets that up as its goal needs to deliver, and I think this one does manage to "tell a good story." Nice work, Baz.